I am a research student at Royal Holloway and a freelance writer. My research explores aesthetic, ethical, and biopolitical issues regarding ‘dress-aged' bodily techniques, their technologies of documenting, and their leftovers in live art practices, with a focus on horse-human relationships from 1968. I tutor at the Drama, Theatre, and Dance department at Royal Holloway and at Kingston School of Art. Before commencing my PhD, I completed the Bavarian Elite Network MA programme Aisthesis as well as the MA in History of Art at UCL, and wrote and read for a BA in Journalism and Economics. My texts on art have appeared in English and German, in publications such as Studio International, Die Springerin (AT), Widewalls (CH), Russian Art & Culture UK, Art UK, London's City A.M., Die Weltkunst (DE), Kunst & Auktionen (DE), and on my own platform WatchFineArtsLondon which I started in 2012.